Weaver of Grass gave writers the single word prompt "STAR"
Daughter, Five
Her eyes grew wide when stars
blinked against indigo.
"From Earth they seem like globes.
But through telescopes on platforms
built for watchers in the gloom
you'll see five spokes. Like stars in school."
What child's afraid to scheme gavottes for angels,
tally their balance on cosmic pinnacles,
or juggle the moon's Copernicussed polka
if it suits her daydream? No room
for logic here, or lecturing -
she'd drop me in my quacks; wisdom
rarely keeps its feet in Wonderland.
I risked - "Stars like yours were common -
years ago." Half truth? Perhaps.
But it hurts to know when magic fails,
my small stargazer all too soon
must leap for her life's one choice -
let worlds spin as they will, eclipsed in bigotry,
or toil to unpick her Universe
with five frail senses aimed
out across the vastnesses,
true on some tiny star.
Note. Copernicus . 16th century Polish cleric who heretically declared the Universe was not centered on the Earth, risking the wrath of Rome.
"Copernicussed polka" because no fewer than 64 equations are needed to fully describe the Moon's motion in its complicated orbital dance round the Earth.
Posted on 21st. December, when a total lunar eclipse coincided with the Winter Solstice. Best seen on the west coast of UK at 7.40 am. Some rather nice pics from BBC Northern Ireland here
Dec 21, 2010
Nov 29, 2010
Poetry Bus Challenge. November 29th.
From 3 prompts offered this week by Dana Bug, I chose to -
Write about the place you dream of living someday . . . .
In an Ancient Kingdom
Anywhere, as long as there is water.
So here will do. I'd watch the quiet Tweed,
the anglers' expert wrists, the flash of sunlight
from their lines and lures, and peer into
the deep, dark, peaty pools where cautious trout
gobble and gaze and will not take the fly.
Or walk the uphill track to Linhope Spout
deep in the Cheviots. The legends say
this pool is bottomless. The river Linn
flumes from an overhanging scarp and flings
its moor drained torrent in. Wet-suited boys
follow the fall. They say the colours change
from clear, through yellow, yellow-green and brown
and brown to deepest black as they plunge down.
Here will suit me. I'll cheer them at their sport,
hurrah their heads as they come bobbing up,
yelling the thrill of being bold, and young.
And maybe best, to take your evening walk
along the low-tide sands at Bamburgh.
The sea is quiet. The breeze has strolled away.
Close to your feet the small waves lap and roll.
Inland to west, the sky turns red and gold.
The sands stretch on and on. The air turns cold.
Folk with their dogs pass by with quiet "Goodnights"
The brighter stars show us their little lights.
This lovely land. This good place to grow old.
Write about the place you dream of living someday . . . .
In an Ancient Kingdom
Anywhere, as long as there is water.
So here will do. I'd watch the quiet Tweed,
the anglers' expert wrists, the flash of sunlight
from their lines and lures, and peer into
the deep, dark, peaty pools where cautious trout
gobble and gaze and will not take the fly.
Or walk the uphill track to Linhope Spout
deep in the Cheviots. The legends say
this pool is bottomless. The river Linn
flumes from an overhanging scarp and flings
its moor drained torrent in. Wet-suited boys
follow the fall. They say the colours change
from clear, through yellow, yellow-green and brown
and brown to deepest black as they plunge down.
Here will suit me. I'll cheer them at their sport,
hurrah their heads as they come bobbing up,
yelling the thrill of being bold, and young.
And maybe best, to take your evening walk
along the low-tide sands at Bamburgh.
The sea is quiet. The breeze has strolled away.
Close to your feet the small waves lap and roll.
Inland to west, the sky turns red and gold.
The sands stretch on and on. The air turns cold.
Folk with their dogs pass by with quiet "Goodnights"
The brighter stars show us their little lights.
This lovely land. This good place to grow old.
Nov 25, 2010
Magpie Tales#42
Willow's picture calls up memories of mind-games long past!
In cycling "time trials" competitors ride "against the clock", starting at one minute intervals to eliminate "slipstreaming" and pacemaking. In the 1950's hundreds of these events were organised by local cycling clubs. They were described by the miles to be covered on an "out-and-home" course as "tens", "twentyfives", "fifties." etc. Hard to believe that in those days, on summer evenings or Sunday mornings, competitors rarely encountered much traffic on British roads.
Class Act at an Evening "Tens"
"This your first shot at this, lad?" Wally sneers,
"Giving up netball for a push-bike, then?"
Wally. Iron-founder. Hard as horse shoes.
Me. Grammar School. Sixteen. In Wally's eyes
I'm toffee-nosed and wet, no match for storemen,
strong-men, welders, checking out their bikes,
choosing the chainset that will see them fastest.
Little upstart, me, a time-trial virgin,
poncy, all pale knees and Latin. Wally
thinks racing's not for the likes of me, and so
his next veiled insult is my "handicap."
More than two minutes! For ten miles! Big girls'
blouses ride off less than that! He's telling me
I might as well not start. "No one will laugh,"
he says, "if you get lost, fall off, or faint."
"Get lost yourself," I think. So I don't say
I've trained long for this "ten," and half asleep
can clock his fucking course in twenty-five.
Which is what I did. My time screwed Wally.
I won the handicap event, in fact
lopped eighteen seconds off the previous best,
hauled home their crappy little cup. Stowed it.
Never looked at it again. And Wally?
Wally never spoke to me again, because
we both well knew I should have told him.
What we both learned of class, insults and lies
that night has stayed with me, remembered
from time to time with glee and hot-faced shame.
Nov 10, 2010
Microfiction Monday. November 8th.
Stony River's picture prompt is this charming study of childhood.
Haiku
Kicking through autumn's
fallen gold, my child sees where
a silver coin peeps
Nov 6, 2010
Poetry Bus. November 8th.
Prolonged Immersion
Rebuke, or pity? Spurning all life-skill guides,
oblivious to shellfish jaws and stings that leave
sure swimmers keeling, she dived young, keen to prise,
eviscerate and string the seeds.
The first heave
mesmerised. The seven sea-tentacles unfurled,
artful to drag her down. The laden wrecks
rebuffed her questing hands.
The glass-green swirl
yawed, paused and shifted her past hope of land.
Meshed with slow swells she grins and glides,
adrift on moon-drugged tides, which at their flood
roll, roll her shorewards, till brine cold rhythms guide
this prisoner from deeps misunderstood.
In the sea's time, formless remains are hurled
naked, flesh gorged by seabirds, spent, unpearled.
Jessica seeks poems relating to the sea, swimming etc.
Oct 28, 2010
Magpie Tales#38
Willow offers writers another picture prompt this week, and invites more than one response if writers so wish. Magpie writers' responses can be found HERE.
Two Poems
Memorials
Something in these slabs does not quite answer.
‘Beloved Husbands’ and ‘Beloved Wives’
chiselled in stone, overlooked by angel wings,
seek to commemorate lives shared, with bliss
the elexir of all their days. This is
not what ephemeral records show –
their silences, rejections and the blows,
the loving husband’s dalliance, cards or drink,
the wife neglected, beaten if she thinks
to gainsay the Master of the House. Ask how
can such belovedness be buried here
interred alongside poverty, despair,
the loneliness that the ill-married share,
save that to the dead we must defer? These
grounds are no Elysian fields, rather
testaments to conflicts, tears and wounds,
till Death at last sets the survivor free,
but, visiting again in time unites -
the victor and the vanquished once more One.
Hired hands cut their pretences into stone.
After Six Days
Now lies her little casket in the ground,
six handswidths small, a hand for each brief day.
Six days their daughter’s gaze outshone their dawn.
Now is her mother’s life too short to mourn
her passing? Shall six days be her reward,
the Seventh to be given to her Lord?
Was it for this her mother lent her life
whose love will not now watch her flesh grow tall,
play with her puppy, knit a dolly’s shawl,
kiss ribboned letters, give her heart in thrall?
She learned the comfort of her mother’s breast.
She learned her fist could clutch her father’s thumb.
How could she know she gave more than she took?
How could she know they’d hardly bear to look
now on her pale, still face? Their tears nail down
the casket lid. Their grief might crack her stone.
Her life is ended here. Here two deaths start.
What else is there left now to break their hearts?
Oct 22, 2010
Poetry Bus. 25th October.
The License to Apply for a Ticket on the Bus this week is HERE, inspired by Argent, who asks for poems relating to MEETINGS.
Revenant
At parting, saying -
"Let us agree we both prefer
'Goodbye' to tears. Learn to accept
and not condemn. The past
never was the future's stage."
A carriage window sliced this valediction.
Work, infidelities and towns
slipped by to undiscovered ends,
while the unquiet ghost for half a lifetime
turned triumph - yes, even that - to puffs of smoke -
(Mists laid on English shires at twilight,
fingers on a candid lip in sleep . . . )
Then in some undistinguished capital,
Buda? Trieste? - in just that sort
of backwater cafe where conversations
hatched against despair
stutter towards another rented pillow,
the smoky lights revealed -
skin no longer absolutely young,
the smile that lay in wait -
a dress that could not - surely - be the same?
"No logic, dearest, please,
or laying blame. I answered only
the motiveless appeal of happiness . . "
(Quoting another poet! At such a meeting!
I should have . . . )
Ah, but her fingers, placed
with such complicity, such care,
placed where the bloodstroke like a habit burns,
sought my acceptance of her affirmation.
My actress on her stage,
ageless and English,
her tear precluding tears.
Revenant
At parting, saying -
"Let us agree we both prefer
'Goodbye' to tears. Learn to accept
and not condemn. The past
never was the future's stage."
A carriage window sliced this valediction.
Work, infidelities and towns
slipped by to undiscovered ends,
while the unquiet ghost for half a lifetime
turned triumph - yes, even that - to puffs of smoke -
(Mists laid on English shires at twilight,
fingers on a candid lip in sleep . . . )
Then in some undistinguished capital,
Buda? Trieste? - in just that sort
of backwater cafe where conversations
hatched against despair
stutter towards another rented pillow,
the smoky lights revealed -
skin no longer absolutely young,
the smile that lay in wait -
a dress that could not - surely - be the same?
"No logic, dearest, please,
or laying blame. I answered only
the motiveless appeal of happiness . . "
(Quoting another poet! At such a meeting!
I should have . . . )
Ah, but her fingers, placed
with such complicity, such care,
placed where the bloodstroke like a habit burns,
sought my acceptance of her affirmation.
My actress on her stage,
ageless and English,
her tear precluding tears.
Oct 20, 2010
Magpie Tales#37
Thanks once more to Willow for a prompt to reflect upon.
Last Night
This is where they lead, the
wordless bargains
struck for this brief respite
from despair.
Muttered endearments, dear to
neither, fall
between these bought, uncaring lips and mine
onto these rented pillows. But ever,
with the act that’s no more than acting done
and the bedside clock sheds desolation
drop by drop, another’s breath is heard
in the sleepless dark. Yes, all unbidden
another whispers of an older passion
never mirrored in its simulacrum,
however red the mouth, however sweet
the practised kisses, however loving
seem the unloving arms. Then these tossed sheets
cannot spread wide enough to dry my tears.
cannot spread wide enough to dry my tears.
Oct 18, 2010
Poetry Bus. 18th October.
NanU encourages us to leave our writing room to pen this week's poem.
Springs Eternal
Alone in the gap between two stools
where lovers fall - (the fools!), in the space
between devotion's rock and the hard place
of your disdain; between Old Devil
yearning and Love's deep-sea blues,
I'm learning patience. In time my lines will spark
poems from the stony chambers of your heart.
Springs Eternal
Alone in the gap between two stools
where lovers fall - (the fools!), in the space
between devotion's rock and the hard place
of your disdain; between Old Devil
yearning and Love's deep-sea blues,
I'm learning patience. In time my lines will spark
poems from the stony chambers of your heart.
Sep 25, 2010
Magpie Tales#33
This week, Willow's picture prompt has a unique fragrance, in Etheree(*) form
HOTEL
Your
perfume
drew me on
down corridors,
past half-open doors,
to yours, and your one line -
"Just for a week, dear, no more."
- a nightdress, warm with your fragrance.
Who would have thought then that seven days
would last forever, but the scent not fade?
(*) Ten lines. One syllable in the first, then one more in each succeeding line.
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